Ajeet's recordings begin in 2013 with Sacred Waters, music for Kundalini Yoga meditations, and run to Slánú in October 2026. She is a multi-instrumentalist, producer and songwriter whose sound moves from traditional Irish folk to mystical, meditative soundscapes. Her first two albums were built around mantra. Darshan, recorded in Bali, and Haseya followed, and 2018 brought Shuniya and Indigo Sea. Then came the moon-phase EP Lunar and her first live album, Voices Like Rain, from a 2019 European tour. In 2020 she moved back to Ireland, where she works from a home studio. Since then she has released a steady stream of singles and Let It Breathe, and the arc closes with Slánú.
Released in October 2026, Slánú is the newest chapter and gathers songs including Healing Song, Para la Tierra, Heartbeat, Soften, Dreaming, From The Water, Viento, Para Sanar and only you know where peace is. Its title and its titles speak of mending: tender, unhurried, bilingual in feeling. It sits at the end of her arc, where Irish folk roots, devotional calm and Spanish-language warmth finally share one room. Drop in first at "only you know where peace is," a title that reads like an invitation to slow down.
Dreaming (2026) is a single that also appears on Slánú, and it brings Aisling Urwin and Rachel Sermanni into the circle. The title echoes her love of dream images and myth. In her arc it shows the collaborative side of the newest music: her harpist bandmate beside her, and a guest voice leaning in. Play the title track itself, and listen for how the three voices meet.
Soften (2026) is a four-track single that pairs its title song with Heartbeat, From The Water and Viento, and all four are on Slánú. Its title is its instruction: release the jaw, the shoulders, the grip. It is a good example of how her recent writing favors plain, gentle invitations over ornament. In the arc, it sits close to the heart of the new album, extending the healing language she has used since her mantra days. Start with the title track, ideally at the end of a long day, and let it do what it says.
Heartbeat (2025) is a single that later landed on Slánú. The title points to the oldest rhythm there is, and it suits a catalog that has always paired devotion with pulse and hand percussion. It belongs to the run of releases that built toward the new album, a year when she shared songs one by one. Press play on the title track first. It is a fitting entry point for anyone who wants her warmth without needing background on mantra or folk.
From The Water (2025) is a single, and also a song on Slánú. Water has run through her work from the first record, Sacred Waters, through Indigo Sea and Water and Sky, so this feels like a return to a long-held image. It sits in the late arc as a reflective piece, shaped by her home in Ireland. Begin with the title track. It is a natural pairing with Sacred Waters if you want to hear how far the same element has traveled in twelve years.
Viento (2025) is a single, and also a song on Slánú. Its Spanish title means "wind," and the song is a short prayer for the wind to come into the heart and cleanse it. In her arc it pairs with the water and earth songs of the same period, completing a quiet set of elements. Start with the title track, and if you like it, follow it with Para la Tierra for a wind-then-earth listening pair.
Cura Corazón (2025) is a two-track single shared with Peia, whose Spanish title means roughly "heal the heart." Peia and Grupo Ambiwasi sing on the title song, and the second track is Abuelas Curanderas. It belongs to a cluster of 2025 releases in Spanish that includes Abuelas Curanderas and Para la Tierra, showing how far her devotional voice has opened beyond English and mantra. It sits as one of the clearest statements of healing as a theme in her recent arc. Start with the title track, a direct door into her newer Spanish-language collaborations.
Abuelas Curanderas (2025) is a single made with Peia, MARIAAMBIWASI and Grupo Ambiwasi. The title refers to grandmother healers, which fits her lifelong love of story and the tales cultures pass down. It carries that ancestral thread into the Spanish-language songs of her recent years, alongside Cura Corazón. In the arc it is a tribute to lineage of the heart, not of any formal tradition. Begin with the title track, and listen for the way a folk storyteller's instincts show up even far from Ireland.
Para la Tierra (2025) is a single, made with MARIAAMBIWASI, and a song on Slánú. "For the earth" is an offering in the title itself, and it connects to older songs like Kiss the Earth, from Haseya (2016). In the arc it is the grounded counterpart to the water and wind songs. Start with the title track. It is a gentle devotional piece and works well as a morning listen, when you want something rooted rather than ethereal.
only tenderness between us (2024) is a single, and it later became part of Slánú. The lowercase title suggests a whisper, and the lyric bears that out: intimate, and aimed at the space between two people. It marks a turn in her arc toward softer, more personal writing after the live album and the moon cycle of LUNAR. Begin with the title track, and notice how little it needs to say. It is a good late-evening listen.
Healing Song (2023) is a single, and it also appears on Slánú, which makes it the earliest seed of that album. The plainness of the title is typical of her: she names what the music is for. It sits just after Let It Breathe in her arc, when she was settled in her Irish home studio and shaping a new body of work. Drop in at the title track. It is the most direct introduction to her healing side.
Let It Breathe (2022) is an album she released from her home studio in Ireland, with Peia, Nessi Gomes and Sam Garrett among its guests. After years of travel and live performance, the title reads as permission to pause, and the record feels spacious. In her arc it is the first full-length statement of her return home, bridging the moon-cycle EP and the later Slánú. It opens with "Blooming," which shares its name with the seven-week Blooming Tour through Europe, and closes with "Softly"; begin at the first track and let the album unfold in order.
Water and Sky (2022) is a single from Let It Breathe, sung with the English singer-songwriter Sam Garrett, and press coverage described it as her tribute to her late grandmother. The pairing of two elements in the title suggests the horizon, where the two meet, and it fits her love of nature imagery and myth. In the arc it extends the water motif that began with Sacred Waters and Indigo Sea. Begin with the title track. It is an easy, open-hearted piece to play while looking at actual water or sky.
Quiet (2022) is a three-track single that gathers "Quiet," "Alive" and "Blooming," all from Let It Breathe. The title is a one-word summary of what many listeners come to her for, and it belongs to her first years back in Ireland. In the arc it is a contemplative pause in the run-up to Let It Breathe. Start with the title track. It rewards headphones and a still room, and the full album is the natural longer sitting.
Alive (2022) is a single from Let It Breathe that joins Ajeet's voice with those of Peia and Nessi Gomes. Press coverage on her label's page calls it a weave of three distinct female voices. In the arc it shows the collaborative side of her return to Ireland, the sound of a studio opening its doors. Start with the title track and follow the three voices as they braid together.
Blooming (2022) is the first single from Let It Breathe and the album's opening track, released ahead of Alive, Quiet and Water and Sky. The title suggests slow opening, which suits an artist whose work has deepened gradually over a decade. In the arc it sits in the year of Let It Breathe, as part of a season of growth after the move home. Begin with the title track, and take it as a spring song at any time of year.
Voices Like Rain, her first live album, was recorded on her 2019 European tour and released in 2021. It features layered harmonies, acoustic and electric guitars, hand percussion and Celtic harp, so it is the best place to hear the full band that brings together Spain, Ireland and the United States. In the arc it closes the touring chapter before the move home. Its seven songs were recorded across that tour, from "Akaal" in Zürich and "Aya (Vozes da Terra)" in Lisbon to "Haseya" in Barcelona and "Travellers" in Ludwigsburg. Start at track one and listen straight through, as a concert.
![Kiss the Earth (La Luna) [Live in Ludwigsburg]](https://i.scdn.co/image/ab67616d0000b27392be5c17a6128da703169f51)
This 2021 single is a live recording from Ludwigsburg, a city that also appears on her 2027 tour list. The title joins earth and moon, two images that run through her work, and the live setting adds room tone and audience warmth. It is one of the songs on Voices Like Rain, released three weeks ahead of the album, with Raffa Martinez, and Kiss the Earth was first recorded on Haseya (2016). Play the single as is. It is a good choice if you prefer a concert feel to polished studio production.
Akaal (Live in Zürich) is a 2021 single recorded live in Zürich, another city on her upcoming tour page. The song first appeared on Haseya (2016), with Trevor Hall, so this is the chant-rooted side of her catalog performed in front of a room rather than inside a studio. In the arc it shows how that devotional material lived on in her concerts, and it opens Voices Like Rain. Start with the title track. It is the right pick if you are curious how her mantra songs sound once they step on stage.
Travellers (Live in Ludwigsburg) is a 2021 single, recorded live like its companions from Ludwigsburg and Zürich: a duet with Aisling Urwin that she has called an ode to the muse. The title suits a musician whose band spans three countries and who toured Europe before moving home. In the arc it is part of the live trilogy that documents the road years. Play the title track first. It is a good companion for a journey of your own, and it sits well in a playlist with Akaal and Kiss the Earth.
Shadow Moon Guided Meditation (2020) is a single and a different kind of listening: guidance rather than song. It extends the moon theme of that year into practice, and echoes her work with Kundalini Yoga meditation music at the start of her career. In the arc it shows her meditation work alongside the songwriter's. Press play on the title track when you want to sit down and be led, and pair it with Shadow Moon, the closing track of LUNAR.
Lunar (2020) is an EP of four songs that follow the phases of the moon. It is compact and cyclical, designed to be heard as a whole, and it marks her turn toward cycles and nature as organizing ideas. In the arc it follows Indigo Sea and arrives in the year she moved back to Ireland. Its four tracks are Dance of the Moon, Full Moon Meditation (with Sukhmani), When She Rises (with Woven Kin) and Shadow Moon, so begin at the first and follow the moon around.
Shadow Moon (2020) is a single and the closing track of the moon-phase EP LUNAR. Its title points to the dark side of the cycle, the quiet turning-inward phase, and the song suits late-night listening. In the arc it adds depth to her lunar period, balancing the brighter Dance of the Moon. Start with the title track, then follow it with Shadow Moon Guided Meditation if you want the song to become a practice.
Dance of the Moon (2020) is a single and the opening track of LUNAR, the most playful of the moon-themed releases. The title promises movement, and it fits the hand percussion and rhythmic pulse that run through her band's sound. In the arc it is the energetic point of the lunar year, set against Shadow Moon's stillness. Begin with the title track. It is a lively way to meet her 2020 work, and an easy entry for anyone who finds meditation music too slow.
When She Rises (2020) features Woven Kin, the project she started with harpist and vocalist Aisling Urwin. The title echoes Haseya, which takes its name from the Diné for "she rises," and the song also appears on LUNAR. In the arc it introduced Woven Kin, and her partnership with Urwin continues on Dreaming in 2026. Start with the title track. It is the best place to hear the two voices, and the harp, in a duo setting.
Indigo Sea (2018) arrived in the same year as Shuniya and shows her moving further into the mystical, meditative soundscapes that define her later work. The color in the title suggests deep water at dusk, and it sits in the arc as the last full studio album before the Lunar EP. It opens with "Mo Chroí," sets the Irish-language songs "Dúlamán" and "Tá Na Báid" beside "Espíritu" with Minuk, and brings in Rising Appalachia on the title track and Aisling Urwin on "Ocean's Lullaby." Begin with the first track, and let the album carry you out. It is a good bridge between her early mantra records and the songs of the 2020s.
Shuniya: Healing Chants (2018) returns to chant and mantra, the ground of her first two albums, with the explicit aim of healing. It was released the same year as Indigo Sea, so 2018 holds both her chant-centered and her songwriter-centered sides. In the arc it is a return to long-form chant after Haseya: three tracks, "Maha Mrityunjai" (over half an hour), "Adi Shakti - Bhakti Mantra" and "Ra Ma Da Sa." Start at the opening track and listen without distraction. It is the album to choose when you want chant at its most direct.
Haseya (2016) takes its title from the Diné for "she rises." It was produced by Maneesh de Moor, with guests including Trevor Hall and Peia, and it feels like a step into a wider, more collaborative sound. In the arc it follows Darshan and opens the door to the band-based music that followed. It opens with "Akaal," with Trevor Hall, and Peia sings on the title track. Begin at the first track. The title alone sets the tone: confident, upward, and unhurried.
Darshan (2015) was recorded in Bali, and the setting is part of its story. Her label, Spirit Voyage Records, lists her as Ajeet Kaur on its page for the album, which marks it as part of her early mantra period. In the arc it is the third album and the first with a strong sense of place, a step outward from the studio. Its eight tracks run from "Dance of Ganesha" to "Guru Ram Das Meditation." Begin at the first track and let the place come through.
At The Temple Door (2014) weaves songs and mantras over Todd Boston's guitar, with harmonies from Snatam Kaur, a prominent Kundalini yoga mantra singer. It is a warmer, more song-shaped record than its predecessor, and the title suggests standing at a threshold. In the arc it is where mantra and songwriting first meet. It opens with "Ong Namo" and closes with "Antarjaamee." Start at the first track and listen for the harmonies, which are the album's signature.
Sacred Waters (2013) is where the catalog begins, with music made for Kundalini Yoga meditations. It is the most functional of her records, built to accompany practice, and it sets out the devotional foundation everything else grows from. In the arc it is the root, and the water imagery in its title returns through Indigo Sea, Water and Sky and From The Water. Its three tracks open with "Narayan Shabd," which runs over half an hour. Begin at the first track and let it set a steady pace.
Devotional: Shuniya: Healing Chants (2018), for chant at its most direct, or At The Temple Door (2014), for mantra with Snatam Kaur's harmonies.
Contemplative: Let It Breathe (2022), a spacious record from her home studio in Ireland. For a single song, try "Quiet."
Energetic: Voices Like Rain (Live), with its layered harmonies, hand percussion and Celtic harp. For a shorter hit, try "Dance of the Moon."
Healing: Slánú (2026), her newest album, which gathers "Healing Song," "Soften" and "only you know where peace is."